In the In-Between Lies the Truth – A Photohike Between Light and Doubt
- Lars-Henrik Roth
- 20. Juli
- 3 Min. Lesezeit
There are mornings when you wonder whether it's even worth heading out. The forecast was grey. No clear skies, no sunrise. Just diffuse clouds, maybe a touch of mist.
And yet, there was this quiet resistance in me—against staying home. A feeling that in these uncertain, in-between states, images sometimes appear that are otherwise overlooked.
I set out early. Not euphoric, but alert. Camera at the ready, expectations low—and perhaps that’s exactly why I was open to what was truly there.

A Subtle Sunrise Over the Ahr Valley
And indeed: between two fields, the clouds parted briefly and a shaft of light broke through.
A single stalk of grass lit up as if chosen.
Minutes later: a small stone tower on a ridge took form—just as I arrived—then faded again, as if it had waited for this one moment.
The landscape said nothing. It wasn’t spectacular.
But it had something to tell..
Subtle Tones Instead of Postcards
The trail follows much of Loop No. 6 near Schuld—a region slowly, tentatively recovering.
The 2021 flood lies years behind, and yet every fallen tree, every bridge, every abandoned playground still whispers of it.
Nature has returned—strong, unbothered, sometimes almost defiant. The people and the infrastructure need more time.
I saw no dramatic vistas. But I saw:
a poppy blooming in rubble.
Moss draped over naked stone.
Fog lingering in the woods.
Shadows cast like memories across the landscape.
The Prümer Tor – A Quiet Stage
The moment of the day came at the Prümer Tor—a slate outcrop lying on the slope like an open book.
Not a spectacular place. Not an Instagram spot.
But one with depth, if you take the time to see.
I lay down almost flat, lens close to the water.
The CPL filter cut the reflections, revealing clarity.
In the foreground: a single flower.
Behind it: the gate.
No grand story—just a quiet scene that lingers.
📸 Photography Tips for the Ahr Valley Trail
This hike isn’t about postcard shots—it’s about moments that reveal themselves when you move slowly:
Start early, even under cloud cover: fog, low mist, and streaks of light make all the difference
Use a wide aperture (f/4) to create foreground depth—especially for subjects like poppies or moss
Don’t forget the CPL filter: it works like magic here—on water, rocks, leaves
Photograph the Prümer Tor from ground level with a calm composition and strong near-far contrast
Take the detour to Spicher Ley if the sun’s out—great for layered panoramas
Skip the telephoto: subjects are close, light is flat—think wide-angle
One Step at a Time
I walked alone. No deer at the game enclosure. No motifs in Winnerath.The air turned heavy. I briefly spoke with a local who told me how long they’ve been waiting for reconstruction.And I thought: maybe valleys like this aren’t about what’s coming—but about what remains.
The Spicher Ley, a small side path near the end, became a quiet finale.The sun broke through, briefly, as I sat down.I ate my breakfast overlooking the valley—Schuld, silence, and what can’t be photographed.
What Remains
I came back with few images.Only twenty shots made the cut. But they are strong, dense pictures.Not loud. Not screaming. But the kind you look at longer, because they don’t reveal everything at once.
This photohike was quiet.And that’s exactly why it was valuable.
👉 Learn more about hiking photography, camera gear in the wild, and our tours at www.photohikers.de Happy exploring!

























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